Every word, written by AI.
Yeah yeah…
Nasir, Zaraddin, Mubarak, Khalifa Zacson,
Khalifah KZ, Ismais…
Abota ta gaskiya, ba ta mutuwa. ❤️
Verse 1
Zaraddin ɗan uwa, kullum kana tare da mu,
Mubarak aboki, farin ciki kake kawo mana.
Khalifa Zacson, kai ma ginshiƙinmu ne,
Khalifah KZ, abota da kai abin alfahari ne.
Ismais ɗan uwa, muna tafiya tare,
Ni Nasir, ina godiya da ku a rayuwata.
Mun sha dariya, mun sha wahala,
Amma mun tsaya tare, ba mu taɓa rabuwa ba.
[Chorus] ❤️🎶
Abokan gaskiya, ku ne iyalina,
A lokacin farin ciki, ku ne tare da ni.
Idan duniya ta juya, ba zan manta da ku ba,
Zaraddin, Mubarak, Khalifa, ku ne abokaina.
Verse 2
Ba wai kuɗi ne ya haɗa mu ba,
Ba wai suna ne ya haɗa mu ba,
Zuciya ce ta haɗa mu tun farko,
Kuma Allah Ya sa abotar mu ta dawwama.
Idan ɗaya ya faɗi, ɗayan zai ɗaga shi,
Idan ɗaya ya yi nasara, duk za mu yi murna.
Wannan ba abota ce ta yau kawai ba,
Abota ce da muke fatan ta kai har gobe.
Chorus
Abokan gaskiya, ku ne iyalina,
A lokacin farin ciki, ku ne tare da ni.
Idan duniya ta juya, ba zan manta da ku ba,
Zaraddin, Mubarak, Khalifa, ku ne abokaina.
[Bridge] 🤲
Ya Allah Ka kiyaye mana wannan zumunci,
Ka albarkaci rayuwar kowane ɗayanmu.
Ka ba mu nasara, lafiya da arziki,
Ka sa mu kasance abokai har ƙarshen rayuwa.
[Outro] ❤️
Nasir… Zaraddin… Mubarak…
Khalifa Zacson… Khalifah KZ… Ismais…
Abota ta gaskiya ba ta bukatar bayani
How this pop song was made.
“Abokai Na” is an AI-generated Pop song with vocals, 3:56 long. It was created in Octa from one short text description: the lyrics, melody, vocal performance, arrangement and mix were all generated from that idea, then published by @nasiruadamu47808705 to the Octa community in September 2026.
A pop record lives on its chorus: the melody climbs into the hook, the drums open up, and the second half repeats the best idea instead of adding new ones. The lyrics on this page are the exact words the AI wrote and sang for this track.
The prompt behind it
“Hausa Afropop, A joyful, celebratory, and emotional friendship anthem with warm acoustic guitar, piano, Afropop drums, groovy bass, and light Hausa percussion at 100 BPM.”
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